African American Womanist Pedagogy - Paper for Senior Seminar

 

The use of the Greek terms Praxis, Ethos, Pathos and Logos were a calculated choice by Rev. Dr. Cannon. Not only were they used simply because they fit the notion of what she was trying to convey, but I think that she used them because they are so often associated with ideals of platonic reason and academic rigor. There is a very strong bent within academia to use language that can often obfuscate the true meaning of something, or make a concept seem more complex than it is, however this is not what Cannon was doing here. These words relate to some of the most foundational aspects of teaching and education, and their use elicits a sense of seriousness and professionalism that she wanted to highlight in her explication of African American Womanist pedagogy.

          While I did become somewhat jaded with the use of the term praxis while I was living in Silicon Valley, when it comes to actual teaching, its use implies not just that there is action going on, but that there is a depth of tradition that African American women are drawing on in their teaching styles and the ways that they work within a classroom.  Because they often had to work with so little in terms of physical and monetary resources, they had to draw from the depths of their own personal knowledge, experiences, and communities in order to give the best that they could to their students. We have seen this historically in the ways that African American educators have taught children in primary and secondary school, and it has also carried over into the ways that they teach in post-secondary institutions as well.

          When Cannon discusses the Historical Ethos, Embodied Pathos, and Communal Logos of African American Womanist pedagogy, she is setting a rhetorical tone in her writing that denotes depth, complexity, longevity, persistence and sustainability of practice. African American women had to struggle against multiple systems of oppression in order to get to the point where they were able to teach, whether it be children or adults. Some of these struggles were part of their upbringing in the USA where they were treated as less than whole people, and part was during the course of their educational processes which again told them that they were not worthy. In order to get through, they had to often work harder, with the constant disruption of sexist behavior and harassment at every turn. Their work was scrutinized and nitpicked and they were simply dragged over every possible coal in order to pass muster. As Cannon states:

 

“The invisible imbalance of cognitive imperialism gets played out in the culture of education in very visible expectations. The ubiquitous assumption of many scholars  as well as students in the womanist classroom is that they are not learning, that they  are not participating in the rigor of academic excellence, that they are not getting the  biggest bang for their educational buck if they are not beaten up, if they are not being  told repeatedly how they got it wrong, how they messed up, if their papers are not  bleeding with red ink from nonstop nitpicking of minor flaws.”[1]

 

          This is a common thread in many academic settings, and particularly in theological schools and ivy league institutions. Where learning and rigor have been conflated with a very masculine-centric, punishing model of education, that manifests itself in the larger culture as well in things like “hustle culture”. In graduate school in particular students are pushed to forgo normal healthy self-care, rest, good nutrition, and having even a small modicum of mental well-being in order to be “successful” students. These women developed an ethos regarding teaching and learning that arose from their histories and their experiences, and determined that learning did not have to look this way to be rigorous, and teachers did not have to be draconian to be effective.

          In most of my classes at PSR I have not really had the same experience of cognitive imperialism, that I experienced at my previous university. There, it really was push push push, no matter what was happening in the rest of your life or in your body. I actually had my PhD advisor instruct me to not tell people in the department about my illness, because they would think less of me, and that in order to ensure that they did not think I was defective. And, because I already had told them about my illness, I would now need to work harder and prove myself to be superior to the others in every academic way to be taken seriously. This was absolutely brutal on my body and my health, not to mention my mental wellbeing. Here at PSR I have been able to benefit from the decolonized pedagogical styles of a number of professors, who, while ensuring we learned and stretched ourselves, did not do so at the expense of our health. I have witnessed on many occasions that instructors here want to truly help students not just survive but thrive in grad school and I find that very liberating and life-giving.

          Beyond her own personal lived experience, Cannon draws on the experiences of other women of color and their writings to support her arguments. She shows how the deep cultural understanding of the value of black souls informs classrooms that are caring, nurturing, that produce good fruit.She describes this in her idea of “wheels within wheels” as stated here:

“One wheel deals with the intellectual predisposition of traditional male thinkers,  usually dead or of European ancestry whose very language of objective universality  masks our existence, forces persistence in the binary opposition of either-or, and  looks askance at black women as superfluous appendages, saddled with odd concerns about race, sex, and class oppression. The second wheel focuses on the specificity of African American Christian culture, systematic accounts of the history and  achievements, perspectives and experiences of members of the black church community. The third wheel explores the experiential dimensions of women’s texts and  interpretations. This is the part of each course—theological and otherwise—wherein  students listen to women of the African diaspora speaking their mother’s tongue, as  black women refine and critique their own realities across time and space through  the written word”.[2]

 

She also states that womanist pedagogy is centered around the concept of liberation ethics as defined by one of her former professors at Union Theological Seminary. Dr. Beverly Harrison defined it as follows:

“Liberation ethics is debunking, unmasking and disentangling the ideologies, theologies and systems of value operative in a particular society.  “How” is it done? By analyzing the established power relationships that determine  the cultural, political and economic presuppositions and by evaluating the legitimating myths which sanction the enforcement of such values.  “Why” is it worth doing? So that we may become responsible decision-makers who  envision structural and systemic alternatives that embrace the well-being of us all.” [3]

 

This allows classrooms to become communities, where syllabi are created as covenants of intention and personal accountability and intellectual inquiry are valued above all else, and students are situated in such a way that they are able to teach themselves what they need to know, and truly collaborative work can be done.

          These types of classrooms can help to lessen the impact of negative outside cultural influences that continue to suppress black women’s voices to the detriment of us all. Stereotypical representations of black women as somehow simultaneously deficient and incapable of academic rigor, but at the same time strong and able to take on anything, can create problems for both the women of color, and other students in the class, setting everyone up for failure of one type or another. Women of color may fail to connect with their own potential for growth and flourishing, and white and male students may falsely assume that they are the standard by which others will be judged. These kinds of relations of domination are so common in our society that they may seem natural and normal, despite their false nature. Cannon says that it may be quite disorienting for students who are used to colonized classrooms to walk into a womanist classroom and experience the very different environment that their historical ethos, and embodied pathos create.

          The idea of reciprocity in the classroom assumes that students are not just like hungry birds having tidbits of knowledge dropped into their heads by the parent, but that there is a real relationship of exchange that is going on between the teacher and the learners. Robin Wall Kimmerer in her book “Braiding Sweetgrass” relayed a story about how she and her sister were “raised by strawberries” to illustrate this idea of reciprocity. She and her sister would come home from school in the late spring/early summer and run out into the yard to see if the wild strawberries were ready yet, they would nurture the vines, clear paths for them, and sure enough, the little vines would take root wherever they cleared the soil beneath the runners and would grow bigger and prepare to bear fruit. When the time was right, the strawberry plants would give them berries, which they would give to their grandfather, who would bake with the berries and give gifts of food back to the girls. The strawberries were free, and gave their gifts freely, but also benefited from the nurturing they were given by the girls. She then related how she and her sister worked at the strawberry farm down the road as they got older, and that the woman who ran the farm would tell them “don’t you eat any of these berries, these belong to me”. Kimmerer contemplated about this fact, that the strawberries that were owned by the woman were not free…they were a commodity and only given to those who could pay, but the wild strawberries belonged only to themselves and could give their gifts freely and abundantly to whomever found them, and that nurturing the wild berries benefits everyone, while nurturing the captive berries only nurtures the person who owns them. I think that this parallels well with the ideas of womanist pedagogy, and this idea of reciprocity - the womanist teacher is teaching to wild strawberries, nurturing, helping clear the way so that they can do the job of growing, giving gifts and spreading freely wherever the soil is good, and at the same time they are giving gifts, they are receiving them. If our classrooms are relationships of reciprocity, this entails a responsibility on the part of all participants, both the giver and the receiver to promote the flourishing and wellbeing of the other (regardless of who is the giver and who is the receiver). This really runs counter to the atmosphere in many academic settings, from K-12 to Doctoral programs.

          I am not sure how I would enhance the communal logos in this seminar class, other than that we work on these foundational ideas that were gifted to us by the late Rev. Dr. Cannon, and truly think of the ways that we have a responsibility to one another, and to our wider communities to promote each other’s flourishing, with care and intentionality, knowing that the gifts we give to each other can be “regifted” to others. Kimmerer states it so eloquently and poetically in this passage:

“…he thought wild strawberry shortcake was the best possible present, or so he had us convinced. It was a gift that could never be bought. As children raised by strawberries, we were probably unaware that the gift of berries was from the fields themselves, not from us. Our gift was time and attention and care and red-stained fingers. Heart berries, indeed”. [4]

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

References

 

Cannon, Katie G. The Oxford Handbook of African American Theology. Edited by Katie G. Cannon and Anthony B. Pinn. New York, NY: Oxford University Press, 2014.

 

Kimmerer, Robin Wall. Braiding Sweetgrass. Minneapolis, MN: Milkweed Editions, 2013.

 

 

 

 

 



[1] Katie G. Cannon, The Oxford Handbook of African American Theology, ed. Katie G. Cannon and Anthony B. Pinn (New York, NY: Oxford University Press, 2014, pp. 322).

[2] Ibid. pp. 322

[3] Ibid. pp. 323

[4] Robin Wall Kimmerer, Braiding Sweetgrass (Minneapolis, MN: Milkweed Editions, 2013, pp. 24).

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